In “The Marriage Cure” by Katherine Boo, the reader
is able to learn important bits of character sprinkled in several places as the
linear story begins—Corean taking Kim to church. I think this approach was very
effective. I learned about her physical description, the place she lives, her
old job, and her birth control, that she is in love, and that she wants to go
to college. The whole story is just loaded with details like we know the
approximate time period of the story because the author mentions the Bush
administration. Although I enjoyed the description around Kim during the first
part of the narrative the next bit where Corean is described was even more
vivid. I also think the small incorporation of dialogue during these
introductions is important, it’s not much but what is used really works. I
wonder if she meant to use patience twice in the sentence about marriage as a
job…When the author gets into the dialogue part of the narrative, at the
church, we know the characters (some what) and now we get into the issue of marriage
and all the complications around it—the author structures the narrative here in
a way that really shows a lot of perspectives, but none explicitly her own. I
thought the lack of transitions during the rest of the piece were an
interesting style choice. I’m curious how much time this piece took to report.
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